Waves Of Conventional Harmony considers the significance of personal experience within the Australian landscape and the influence of environment, atmosphere and urban detritus on a process driven practice. Everyday encountered scenery is captured through photography and digested into a succession of emotive paintings, employing old pianola rolls and enkindling them with new purpose.

Working in gouache and Indian ink, primary focus is on the exploration of colour and process driven, repetitive line work. Line and abstraction cooperate to invoke a particular time or place. These form fields are often reminiscent of the microscopic world; hair, microbes, magnified surfaces and the familiar yet alien minutiae of the natural sphere.